Too Late, Humans

My article, published by Overland Literary Journal:

There’s a chilling scene near the beginning of Ray Bradbury’s 1953 classic, Farenheit 451, where Guy Montag discovers that his wife has overdosed on sleeping pills. When the nonplussed emergency technicians arrive they pump Mildred’s stomach using enormous machines, give her a blood transfusion and then leave matter-of-factly: all in a day’s work in the twenty-fourth century.

Where Montag is Bradbury’s ‘everyman’, struggling to come to terms with a growing awareness of his totalitarian world, Mildred reflects the horror of those descended completely into society’s shallow consumerist nightmare. She wants little more than a fourth wall for her TV, so she can achieve complete immersion in her favourite television programs, particularly the highly popular ‘The Family’, in which she plays a scripted part.

Read the full article online here.

Every corner of the multiverse

When I say “science fiction”, some people may think of socially awkward boys with pale skin, Hollywood blockbusters where characterisation is sacrificed for special effects, or pure escapism that ignores the grim realities of the world we live in.

Personally, I go for the intersection of philosophy, politics and popular culture. Like the dystopian critique of Thatcher’s England in Alan Moore’s V for Vendetta; or the fusion of Plato, Baudrillard and more besides in The Matrix; I also think of two of the most important science fiction writers: Mary Shelley and Ursula Le Guin.

Continue reading Every corner of the multiverse